Second Life Performances 1/12 - 1/17
Saturday, January 12th, 8am SLT/10am CST - Nitida Ridge
–
Tuesday, January 15th - 4 pm SLT/6pm CST - Bliss-Basin
–
Thursday, January 17th - 9am SLT/11am CST - SL’ang Life
Video Game Play and Addiction
Featured Single
Mailing List Sign-Up
Upcoming Talks/Performances
Pages
- About Kourosh
- Contact - Licensing, Commissions
- Music Catalog
- Music Samples
- On Mind, Music, and Technology
Categories
Blogroll
- American Psychiatric Association
- Boy on a Stick and Slither
- Bree Birke
- Cleversley
- Games, Learning, and Society
- Institute for Psychoanalysis
- Josina Burgess’ Art
- New Leaf Design
- Podcomplex Music Technology
- Second Life
- Siterma
- The Flowfield Unity
- The SixtyOne
- The Wandering Endorphin
Writings
- A Lever to Move the Mind
- A Plight of Autistic Adolescents
- A Reluctance Towards Focus
- A Response to ‘The Lost Impact of Modern Music’
- An Interface of Health and Technology
- Aphex Twin and the Art of Simplicity
- Children’s Exposure to Technology
- Communication, Autism, and the Internet
- Compression and the Artist’s Message
- Improvisation as Self-Analysis
- Interface Dissolution
- Medication and its Meanings
- Meditation and Free Association
- Meditation, Fear, and Creativity
- Meditation, Mind, and Brain
- Mental Health Resources in Second Life
- Music In-World and In-Game
- Naming Pieces of Music
- On Being More Childish
- Our Branching Society
- Practicing Music - Silence is Golden
- Quantum Existence in Abstractia
- Re-Mission - Gaming Towards Health
- Revisiting the Importance of Play
- Sacred Earth Review
- Technology’s Effects on Music
- The Instruments
- Three Lessons I Learned Playing “Portal”
- Time as Told in Music
- Video Games, Violence, and Emotional Development
- What Is Improvisation, and Why Practice?
- What is Meditation, and Why Is it Useful?
- Why Write Music?
